...Not the kind of wheel you fall asleep at...

And Now Something Slightly Less Heavy...


It's like if Neil Young, Tegan and Sara, and some vague 1970s folk singer somehow managed to have a four-way baby together and the baby was a song:



(I make fun, but I like.)

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All This


So as most of you know, this weekend something killed the baby of Scabs, one of the strays I take care of. I only happened to find her by accident, reaching under my stoop to see how wet the "bedding" (shredded phone-book pages) that I'd put under there had gotten in the rain. Instead I felt the fur and heft of cat.

Before pulling her out, my brain screamed: she froze to death and it's all your fault because you gave her the illusion that the space beneath your stairs would keep her safe and warm. Then I thought: poisoning. My brain was scrambling to rationalize it. But when I pulled her out, I found her looking relatively serene but with still wet blood in her ear and on her tail and what seemed to be a puncture-wound in her side. She'd clearly been attacked. I touched her, I stared at her, closely examining her eyes and her body. It was jarring being that close to her since she'd never let me near before.

I felt terrible, thinking about how just a week before, I'd spent so much time debating about whether to release Scabs after her surgery, finally deciding to for the sake of her baby. I remembered letting her outside and her baby running away from under my stoop like she always did. And then I remember the baby very slowly and cautiously returning to scurry back under the stoop. She was SO excited to see her mom again that she risked me being there to be close. I went back inside and then I watched from upstairs as the baby raced and romped around in the dark, clearly joyous at having her mom returned to her. She was a very skittish baby, and she always stuck close to Scabs. I'd never seen her anywhere without her mom.

I remembered how much joy I'd gotten in watching her play her favorite game which was essentially attacking her mom's tail as though it were some crazy wild animal. She'd stalk, she'd leap through the air, she'd wrestle it.

She had gotten big, much bigger than I'd realized. She was heavy. Her eyes were both open but lightless.

I cried. I cried pulling her out from beneath my stoop. I cried as I tried to figure out what to do with her. I cried as I left her in my hallway for a moment as I went upstairs to grab a plastic bag. I cried as I put her in the backyard. I cried when she was gone.

I couldn't bring myself to put her in a garbage bag and leave her at the curb. It seemed so cold and uncaring. So instead, I went to the very back of my yard, moved away the leaves, spread a soft bed of drier leaves down, and laid her out. I then covered her with more leaves and left her there.

My brain just kept flipping through everything that was so upsetting about the situation: images of her from just a week before; memories of her playing with her mom; the thought that I'd been going in and out of my apartment that morning and all the while, she could've been dying under my stoop; the thought that she'd died alone; the thought that I was responsible, having created the shelter for them and given her the false sense of safety; the fact that she'd been scared; the fact that the things that had made her so leery and suspicious had actually proven to be just as scary as she'd thought; the worry about the safety of all the other strays; the question of whether Scabs actually knew (she'd been running around playing with the other strays that very morning on my neighbor's garage roof); what it meant if she DID know and was that playful despite it; what it meant if she didn't.

All of it was very upsetting.

The next day I decided, with a clearer head, that I should bury her. I went back behind the tree where I'd laid her out and began to rummage through the leaves to find her. Nothing. Nothing nothing nothing. I scanned the backyard. Nothing. I rummaged more. Nothing. I scanned once more and then I saw her: splayed out by our old compost heap, completely disemboweled, her mouth bared back in a wretched and horrible snarl. My heart leapt and I thought: she wasn't dead! You laid her out and she wasn't dead and a wild animal ripped her apart and she wasn't dead! I reassured myself that this couldn't possibly have been the case. Her eyes had been open, and she'd not been breathing. I would've noticed. I'd sat with her briefly, stared at her when I'd pulled her out, looked at her lifeless eyes, I would've noticed any breathing. The snarl was surely just a product of death and rigor mortis, the flesh tightening and pulling her mouth back into the snarl. I touched her mouth, pulled back her lip just a little to bare her tiny teeth as though to reassure myself of the process.

Her eyes were strangely white instead of the dull black from the day before.

I dug a shallow grave beneath the wet leaves. One of the kittens that was romping around in the backyard with me suddenly saw her and snuck up suspiciously until I shooed her away. Strangely calmer than the day before, I gently picked her up with a plastic bag, trying not to sink my fingers into the pink muscle of her empty insides. I laid her in the grave face down, thought to flip her over but realized I couldn't without sticking my hands into her gutted stomach. Instead I brushed the leaves and dirt from the back of her face and then covered her with dirt.

I gently pressed the dirt down with my feet and covered the new grave with wet leaves. When I turned to leave, both the kittens were watching and Scabs was sitting on the back porch, having seen everything.

I stuck a gnarled stick in the ground as a marker, dragged a couple flower pots over and left them on top to dissuade any animals from further digging her up.

I was calm. I lavished Scabs with love, feeling bad that she'd seen the whole thing and that she'd lost her only remaining baby.

I went through the rest of my day. I went through the rest of my next day. The thought of the baby was always lurking in the background.

Last night, in the midst of a movie about death and fear, as it poured rain outside, the thought lurched up inside me: You buried her face down. It was so heavy and oppressive, my horror at this fact, that I seriously contemplated getting up and going out in the rain and digging her up so that I could rebury her face up. I could barely control myself from doing so. I had to text more than one person to get sufficient reassurance that she would be ok the way she was.

All of which made me think about how horrible it all is.

This past month or two, I've been thinking a lot about death, even though I try not to. It rises up inside me like bile, the thought, and once I start to think it, I can't stop.

And here's the thing: I am not ok with it.

I feel a sense of paralysis wash over me every time it pops into my head.

I cannot make sense of it.

What is the point of all this if at some point I will no longer be here?

The world exists only as long as I exist.

I am not okay with that.

I am not okay with the fact that people, animals, can be dying just feet away while others move through their daily motions, unaware or unconcerned. I am not okay with the fact that we are all that fragile and fleeting.

I am not ok with the fact that at some point, I won't feel quite so upset about her anymore.

I am not reassured by the fact that I can leave a mark on the world if I so choose. I cannot convince myself that leaving a mark on the world will make a goddamn bit of difference.

As my mind starts to sink into all this, I start to lose any sense of why I shouldn't just plow through this life, tearing things up, doing whatever I want as long as it brings me pleasure, no matter who or what it hurts, killing, destroying, any of it. What does it matter?

My compassion of course begins to kick in when I start to think this way, but the pure bare-boned logic in me says: Fuck that. Break an animal's neck with your bare hands, cheat on your partner, beat them in anger, rip apart the flesh of an animal with your teeth, WHAT DIFFERENCE DOES IT MAKE BECAUSE WE WILL ALL DIE SOME DAY AND ALL OF IT WILL BE RENDERED NULL AND VOID. No matter what we suffer, endure, no matter what we rise to, no matter what we achieve, in the face of death it means nothing. It is all the same. We will not be there to know, to care, to see.

I cannot wrap my mind around this, don't think I ever will be able.

I hope some day I can, but I almost don't want to acquiesce to death in that way, to say: hey, I'm ok that you do what you do.

I am not ok with it.

I am not afraid of dying, I just don't want to one day no longer exist.

It's not that I think it unfair, it just doesn't make sense to me. All philosophizing aside. Stripped down to my gut reaction, IT IS TERRIBLE AND IT DOESN'T MAKE SENSE.

I love this world, ultimately. Every fucking tiny little thing, even the bad things. They are all amazing and beautiful and I don't want the day to come when I am no longer able to experience these things or to have this thought.

Sitting here, thinking all this, I just want to pull everything that is dear to me close and clutch it, hard and warm, lock my door, and never let go.



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Weirdly, I feel like I've been struggling with these EXACT thoughts for months, so to read this and hear it tumble from another mouth made me love Albert Goldbarth even more.

Plus, it's one of the most exact and beautiful poems I've read in quite some time.

Which means you best like it too.


The Elements

      The cool, dusk-blue of the shadows of these Dutch plums
is mixed with a quarter-thimble of gray that matches
      glints in the skins of the pears, the berries, the liver-paste.
If the dull swell of a herring on a plate picks up
      red chevrons meaning a candle (out of sight) is lit,
the crystal of burgundy weighting another corner is given
      a small red heart of light at its center so
everything, in shape and weight, is balanced, and
      the keen lines angled like stylized rain around
the base of the creamer say the same green as the stems
      that have been set like accent-marks for the scansion of cherries.
In the back, in the middle, a hot loaf is broken
      for steam to rise in a perfect column of nearly
corinthian detail, at the edges of which it thins
      in equilibrium with the night, as a breath might
leave a body and settle, composed and ubiquitous.
      I wonder if this still-life exists in the universe

*


of a wormy handfull of rice. I wonder what the sense of time
      in which it was painted has to do with a year
in the dog cages. When a prisoner's released
      from one of those, he "walks" by sitting, moving his legs
ahead of him by hand, like huge quaint compasses.
      This group was abducted out of their homes and now will be kept
at an "interim camp." They face the camera with something
      in their eyes beyond despair. Before the film goes
to a New York-based reporter summing it up, we see
      a newly-uncaged woman catch a doll
a soldier tosses her, then start to comb its patchy hair, and only
      hours later will we come to understand this
is her infant daughter dead of cold water and lye.
      I wonder, in all of science-fiction, if there have been
two universes this discordant, or what it means
      that there can be a suffering so intense its balance only
exists somewhere in the next life. And

*


      I wonder if I should hate that painting, I wonder
if out of faith kept with the brutalized, I should revile
      the easy leisure with which another world applied its dedication
to a study of shadow lengthening under tangerines, I
      wonder if now we must love that painting more than ever,
its calm, its idea of order and abidingness, I wonder
      isn't this exactly the freedom for which we risk the cage
and dream of in the cage to keep us living, this
      aloof, light space in which the heft of a peach against
washed linen can grow important and exact,
      I wonder if I should burn a painting like that
and turn to the knife and the placard, I wonder if
      I should give my days to the completion of its housing
under temperature control, I wonder what we give
      our nights to, and how much our days define our nights, I
wonder until I sleep, and I sleep like a fresh bread
      cooling, reaching an agreement with the elements.

[Albert Goldbarth, from Arts & Sciences]



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After sex, a lady asks
how many butterflies one of our heartbeats
could power. I turn to her not even knowing
the width of the border between a man and a woman...

[Albert Goldbarth -
"Tarpan and Aurochs"]



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This Weekend in Recap


I baked cake.
A boy bought me black salt.
We stared at rich people through binoculars.
I fixed a cat.
I destroyed at Scrabble.
I slacked on OT (overtime) to enjoy OT (outdoor time).
I cooked.
I was cooked for.
I made a cat shelter.
I borrowed a saw.
I got sun.
I garbage-picked a chair.
I rearranged my bedroom.
I started a book over.
I went to bed early.
I went to bed late.
I referred to boobs as "cans."



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My bro's tattoo--hopefully he doesn't mind me posting it,
but I dig the photo too much not to...





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I Would Just Like to Take a Moment to Reflect on How Effing Cute Al Pacino Was When He Was Little



Not sure who I want to make out with more, Sonny Wortzik or Frank Serpico.


















But both or either would work just fine.

Thank you, and good day.



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Random Picture of the Day



(from Destructoid.com)



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LOVE


(Snagged from Colossal Youth)





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Oh Halloween, How I Love Thee So


So I won Most Gruesome Halloween costume at our local bar-haunt (pun intended) this weekend (thanks to Snogash who entered me). I went as Carrie, and it was fun, until I started to peel. Here are some pics:


(Click on pic for more Halloween pics)



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