...Not the kind of wheel you fall asleep at...

Two Random and Completely Unrelated Items Today


Item #1
(from my yahoo email account):

Date: Fri May 7 21:58:00 2004
From: alles@sharkbit.org Add to Address Book
To: ___________@yahoo.com
Subject: halli hallo

Halli hallo, na du. Hast dich ja auch nicht mehr gemeldet. Aber ich musste das nun doch einfach mal tun. Ist doch aber nicht schlimm, oder? Also ich habe mir uberlegt dass es vielleicht helfen wurde wenn ich dir mal meine Nummer gebe, damit du dich besser bei mir melden kannst? Hier ist sie jedenfalls: 0175/6424134! Kannst dich ja mal melden. Lena

And the google translator says...

Halli hello, well you. Haste you also not more announced. But I had to do now nevertheless simply times. Is nevertheless however not bad, or? Perhaps thus I have myself considered that it would help if I you times my number give, so that you can announce yourself better to me? Here is it anyhow: 0175/6424134! Can you times announce. Lena



Item #2:

I saw the most idiotic Midol commercial yesterday. It went something like this:

One bikini-clad girl comes up to two others (Girl #1 and Girl #2) who are wearing one-pieces or wraps on the beach.

Girl #1: "You're wearing a bikini and you have your period??! Don't you feel too bloated and crampy for that??"

Girl #2: "Yeah, aren't you TIRED?!"

Bikini-girl: "Nope. Took Midol and I feel great."

The three girls shake their heads and smile in wide-eyed wonder at the miraculous healing powers of Midol.

The commercial ends with them trekking down the beach.

Bikini-girl: "I really have a taste for chocolate chip cookies."

The two girls look at each other knowingly.

Two girls: "Yeah, she's DEFINITELY menstrual."

All share a good laugh.

* * * * *

Now, we all know that, well, this commercial is idiotic in the way that pretty much 99% of the commercials out there are idiotic.

But what I'M confused about is the implication that people shouldn't wear bikinis WHEN THEY'RE TIRED. What the hell's up with that??? When have you ever been about to put on your two-piece and then yawned and thought to yourself, "Well, damn. I'm really tired still. Perhaps I shouldn't be WEARING a bikini. I'll slip into my one-piece instead."??

Idiotic, I say.



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There is something strange about big cities. Something that draws me back often like some magnetic force. And yet something unsettling that gives me a kick in the gut every time I visit one. And this most recent visit to Chicago was no different.

People pack themselves tight onto subways or public transportation, folding themselves in like tiny petals into some massive, multifoliate, oxygen-seething flower. You find yourself pressed close against strangers, their knees pressed intimately against your thigh. Your breast jamming into someone's scrawny elbow as the train lurches forward and then back.

And yet there is this unspoken law that none of this should be acknowledged. That you will pretend that the stranger sitting close next to you is in fact hundreds of feet away, enclosed in their own little bubble of transportation, while you sit here all alone and untouched.

People shove and push you out of the way, as though you were just some subway door or errant garbage can blocking their way. No one makes eye contact, or if eyes DO lock, they immediately and guiltily flutter away as soon as it goes noticed. We see everything but don't see anything.

You walk down any given street and more likely than not, you will see a homeless person in a crooked heap in some doorway. Hunched under a tent of tarp or newspaper near a heating vent. Shaking cups of one or two lone quarters at every person who walks by. Occasionally an individual will awkwardly toss some lint-encrusted change from his/her pocket at them. Other times and other people will instead offer up the bold-faced lie "sorry, I don't have any" while embarassedly shrugging their shoulders. But most commonly, these homeless folks are just ignored by individuals scurrying by. As if they don't even exist.

They become extraneous urban architecture--a scarred lamppost, a bit of newspaper in the gutter, a chunk of uprooted, pockmarked cement next to a garbage can. We treat them as nothing more. We walk by and pretend we don't see them. And I'd imagine, after living with them on a daily basis, we don't even have to PRETEND anymore. We just DON'T SEE THEM. And thing is, from what I gather, it seems that they start to perceive themselves this way too--as invisible. They seem shocked moreso when you actually STOP to talk to them than they do when you ignore them and walk on by. They sit without looking at you most of the time, shaking their cups, offering entreaties, not wanting to insult you with eye contact much less touch.

And thing is, I don't want it to be this way. I don't want to feel uncomfortable making eye contact with someone on the El. I want to extend myself to a homeless person, just offer up a few minutes of my time or my ear or my company, not just my change.

But in many ways, it seems an impossibility to do so. Especially if you LIVE in a big city. The caught-eye just darts away. The homeless are there every single day and you can't give money to every single one of them. And you can't really acknowledge or sit down and talk to every single one of them either, just like you can't (or wouldn't) really acknowledge every single person you walk past on a crowded city street.

And thing is, I don't blame people for just walking by. Ignoring. I don't blame them because at some point, that's how you end up having to cope. Much of this is just a matter of necessity.

But it seems to me that the way people shut themselves off in big cities is due quite a bit to fear. There is something there, something in the vast number of people seething around you at any given moment, that undercuts your singularity, that makes you recognize your smallness. There is something there, in the people living off handouts on the streets that jabs you in the face with a reminder of how lucky you are. But oftentimes it's an insidious, disheartening reminder.

Fear's not such a problem in smaller numbers. We bond in bars or coffeeshops when there's only handfuls to deal with (and alcohol to take off some of the icy chill). But it's the masses, the swarming teaming magnitude of the masses spilling through the streets, that is most overwhelming.

On occasion, when I'm just randomly musing over the weirdness of existence, I get overwhelmed at just the thought of the vast number of individuals alive on this planet at any given moment in time, fucking, eating, sleeping, working, walking, exercising, fighting, driving, breathing, dreaming, hoping. And just the sheer thought alone overwhelms me.

To be reminded of this on a daily basis on the steaming city streets, people like ants shoving around you and ignoring you and pushing forward forward forward always towards some point of destiny must get terrifying at times.

And I can't help but think of a quote that Eleven posted a month or so ago:

"it is, i think, because the notion of feeling one's way forward, of groping in the darkness or semi-darkness, implies a testing of the way with the whole body. and although this method may be painfully slow, it is much less likely to lead me astray than if i relied on sight alone and had an open country to cross and a bright sun to go by. in this way i will experience every inch of the way rather than suddenly finding that i have reached my goal with very little sense of the terrain i have passed through. if i can simply walk across the space that lies between me and my goal i may arrive there quickly, but then i will be left wondering whether i have really arrived or only dreamed or imagined it." (gabriel josipovici, touch)

Perhaps it is people that need to be our destination instead of places. Perhaps we need to remember our surroundings, to "stop and smell the roses" or at least remember they are there. Perhaps we need to embrace sight as we do touch, recognize that the warmth of eye contact can mean just as much as a hug to some.

In high school psychology class, we learned that some people respond positively to rewards in the form of verbal praise while others respond positively to touch. But essentially, I think we are all like sunflowers, bending towards the light of another person's touch, seeking it out and drinking it up for sustenance. It is part of what we need to live and make it through the day-to-day world, to drag ourselves out of bed in the morning.

We dehumanize when we rob people of our touch, of our acknowledgment, of something as meager as our eye contact. And often we dehumanize those who need our touch the most.

What am I trying to say? I really don't know, I guess. I'm just trying to work things out in my own brain a little, make sense of all this...

Maybe all I'm trying to get at, and maybe the point of everything Josipovichi is trying to say, is that a little touch can do wonders. And in the day-to-day activities that compel us forward and make us forget everything but our destination, perhaps it'd be good to remember this. To let your fingertips linger on someone's shoulder for a minute or two. To press your warm heartbeat hard against your significant other when you curl up in bed late at night. To hug. To be hugged. To let your ankle remain pressed against another's on the subway instead of shrinking away. To place your hand tenderly on a friend. To touch.



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They're two blondes across the street from us, prancing around a sports car parked half-assed on the corner while we shuffle across the dirt-lined street towards the El. One has a perfect hour glass figure, tight abs exposed beneath a cropped t-shirt. White pants that MUST be greased on with crisco, looking slippery enough to pose a hazard if you rubbed up against them... You'd probably end up shooting right off and breaking a leg. Long golden hair on both of them that they manage to toss at least three times before the light turns green. The other one is equally lithe and proportional, bestowed with a fine set of breasts packed into some cute little t-shirt.

He gawks and grins. "Those two blondes are the most beautiful things I've ever seen. Looks like I'm gonna be dumping your ass today."

The next day we stop for breakfast at some little granola-y, hippie-esque coffeeshop on that very same corner. He has pancakes the diameter of your forearm stacked in front of him. I am working my way through a feta-spinach omelet and some of the most gloriously greasy homefries I've ever had. We don't really talk, sorta just sit and suck it all in. He's watching out the window behind me. I'm staring at the human traffic in the distance. A few minutes go by. Finally he breaks the silence: "Damn if there aren't a helluva lot of hot chicks in this neighborhood." He shakes his head and grins at me. I fork another mound of greasy, tomatoey goodness into my mouth.

We're driving in his car: "The hottest chick ever came into Gale's today while I was there. We were all just sorta following her around and offering our help the whole time. She was one of the most gorgeous chicks I've ever seen."

"That bartender is really hot."

"She definitely has a 10 ass."

"Damn."

"Too bad we're going out, because THAT chick sure is sexy as hell."






At the very same breakfast coffee-shop with the greasy homefries, a twenty-something, fresh-cheeked fella sits behind him, slumped in his chair and deep in thought as he gnaws on the end of his pen. He's got chocolate-brown locks locked tight in an ocean of glorious curls. His chin is thick with a closely-cut forest of beard. His eyes are a warm brown and distracted by whatever thoughts are consuming him at the moment. He keeps shifting his weight in his chair and then furiously jotting things down in a notebook, a cup of coffee not too far away. His chair wobbles a little each time he fidgets.

At the bar the night before, a younger man on a stool to the right of us, leaning over the table and talking intimately with some young, pretty girl. He looks strikingly like my old next-door neighbor from my childhood. He's got some of the bluest eyes I've ever seen, like pure, untainted sky. His hair is kinda shaggy and falls into his eyes occasionally; his jaw looks chiseled out of marble. He probably has those sexy boy-fingers, flat like spades and slightly calloused from working outside. He's there most of the night and pretty to look at in the blinding light that emanates once in a while from the women's bathroom.

At the museum, a tall, lanky, dark-haired fella in a cute little red t-shirt. I noticed him earlier as I passed from room to room. This time I bump into him outside of the bathroom. A red baseball cap shoves down his dark curls and he ushers around the same couple of little girls, teasing them and urging them to tell the others to get their butts out of the bathroom already. I catch his eye on my way in, and he grins and rolls his eyes.

The skinny guy with the dark, square glasses and the full sleeve of tattoos.

The girl running down the street wearing a slip as a dress, thin and curvy legs wrapped in a pair of black knee-highs.

The guy next to her with his lip pierced and a very very nice pair of tired blue jeans hanging just barely onto his hips.






Sometimes silence is golden.



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Is Chicago, Is Not Chicago


So this weekend I was in Chicago, and my plan was to come in today and write something really damn interesting about it in my blog. But I'm super-fucking tired and out of it today because, well, I was in Chicago having a ball all weekend. So plans have changed.

Instead I will incoherently talk about the events of my weekend. (Chicago will probably be a recurring theme this week, once I am functioning a bit more coherently and eagerly.)

I like dogs.

One of the highlights of my trip is the amount of fun I had with the shower cap the hotel offered. Who'da thunk it.

Another definite definite highlight (and one of the major reasons for me having GONE there) was the Art Institute of Chicago. Eric and I had been talking about going for, like, at least a year. But it was kinda a pipe-dream kinda thing that we never thought would be recognized in the flesh. But *VOILA* wishes do come true. We spent most of Saturday afternoon roaming around in its immense halls.

One of my favorite pieces to see in the flesh was Picasso's "Old Man with a Guitar."

Click for a bigger picture

It's always been a favorite of mine, but it was AMAZING to see the actual painting and not just a print. It is 100 times more beautiful and vibrant and blue in real life.

I was also intrigued by a series of drawings by Max Klinger (an artist I'd never really come in contact with before). He had some of the most bizarre and disturbing little drawings I'd ever seen.


Click for a bigger picture


They also had a Dali painting, pastel-drawing, and several (if I remember correctly) smaller sketches. So I was pleased about this as well. And I really enjoyed the vast amount of Miro paintings they house.

(And there was also a really creepy monk-sculpture in the contemporary section that looked SO life-like that you were afraid that it was all of the sudden gonna open its eyes and reach out and touch you. Unfortunately, I cannot find a picture of this, but it probably wouldn't do it any justice anyhow.)

We also spent a good amount of time roaming around the Wicker Park area of Chicago, which was just bursting at the seams with thrift shops and vintage shops. We ate, shopped, and boozed here both Friday and Saturday.

We also ate at the original (the actual ORIGINAL) Chicago deep-dish pizza place called Gino's which was the biggest shithole ever (heh heh) but had some DAMN good pizza... The crust was almost like cornbread.

Spent a lot of time on the El. Ate at a greasy spoon on Sunday before heading back which had a DAMN good Spanish-omelette thing going on. Saw the enormous fountain at Grant Park. Walked the Magnificent Mile (which really isn't that magnificent, just sorta yuppie =). And did tons more than that but am too drained to try to remember it all.

But needless to say, it was a fun and eventful weekend.

And needless to say, I am terribly depressed to be back HERE. *sigh*

Stay tuned for more...



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Concerts I've Attended


(This is of course not all-inclusive as my memory sucks and I'm probably leaving out a ton. This also includes only the more WELL-known people. Sorta.)

  • Peter Gabriel,


  • kd lang,


  • James Taylor,


  • Radiohead,


  • Rasputina,


  • Duncan Shiek,


  • Nuno Bettencourt,


  • Spin Doctors,


  • Toad the Wet Sprocket,


  • Soul Coughing,


  • Mike Doughty,


  • The Cranberries,


  • Screaming Trees,


  • Mason Jennings,


  • Ani Difranco (about half a dozen times),


  • The Indigo Girls,


  • Bitch and Animal,


  • Alannis Morissette,


  • Lilith Fair (Sarah McLachlan, Liz Phair, among others),


  • Cibo Matto,


  • Dan Bern,


  • Bob Dylan,


  • Frente,


  • Hamell on Trial,


  • The Strokes,


  • Violent Femmes.


  • (Please feel free to list any others you are aware of *COUmaurarogersGH* as I'm sure I'm leaving out a buttload.)

    Question of the day:
    What's the best concert you've ever been to and why?



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    What's up with guys and catcalling?


    I don't get it.



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    Weird-Dream Cycle


    So I realized yesterday that--boys and peckish women may wanna plug their ears here--every month, the weekend right before Aunt Flo comes to visit, I have fantastically bizarre dreams. Eh, so what, you're thinking. But let me explain how bizarre this is. It's not like I've been dreaming vividly all month and the weekend right before I get my period they just happen to be a little bit more weird. I barely dream all month and then *WOOSH* the weekend before, it's like someone flipped a mental switch of sorts and my subconscious is being flooded. It's a bizarre bizarre thing, particularly because this dream-period lasts only about 3 days, exactly the 3 days of the weekend before Aunt Flo.

    Anyways, this weekend my dreams consisted of the following:

  • My sister Lisa and I were at a large used bookstore. I looked over and noticed a fella who looked remarkably like Brad Pitt. He was kinda dirty and tousled though, and I pointed out to my sister that he kinda looked like Brad Pitt. Then up to him walked Jennifer Aniston, kinda disguised from the gawking public eye with a hat and sunglasses. She's obviously trying to be discreet and go unnoticed. My sister's face lights up and she starts shrieking, "Oh my god, it's Jennifer Aniston!!!! I can't believe IT'S JENNIFER ANISTON!!!!" I'm mortified and apologetic with Jennifer--I feel terrible because it's obvious she was trying to avoid unwanted attention and my sister's managed to draw it all to her.


  • My sister Lisa is walking outside the car that I'm driving down the road with my dad. There are a bunch of mascoty-looking people dressed as animals standing in the street and blocking one of the lanes.



    My sister starts freaking out because she HATES people dressed as animals. She's trying to get into the car, but every time she reaches for the door-handle, I accelerate and pull a foot or two ahead of her. I grin. She screams.


  • I am sitting in a bathtub and some fella (presumably my boyfriend) is sitting outside of the tub talking to me. He's being real sweet and understanding with me. There's some sorta assumed lead-in to this story that is not actually part of the dream but which involves me being molested. This fella is trying to comfort me about it. All of the sudden he leans over and pins me down so my head is under the faucet. I am panicking and looking down at the swiftly rising waters of the bath. He calmly looks at me and tells me, It's better this way. You're better off dead if the only alternative is molestation. I panic and desperately try to get out of his grip. I wake up abruptly.


  • My friend Dave shows up at Eric's apartment to pick him up and take him to court for his divorce. However, my friend Dave refuses to take him unless he is allowed to wear his toupee (which in real life he does not own). This toupee is the most HIDEOUS toupee I've ever seen, obviously fake, the part obviously askew, the color not matching his natural color. It makes me laugh. Eric is furious.


  • I also have two dreams where I am Grace from Will and Grace. The first involves me in the basement of a library. I am looking to tutor some little kids but don't know how. Mischief and humor ensues. In the second, I go over to the apartment of Grace's (my) redheaded girlfriend from the show. She is having a "girls' night" at her apartment. When I go in, there are two women sitting in the living room, one of them using a vibrator on herself. The redheaded friend looks at me and says I need to expand my sexual world and try new things. I'm creeped out, especially when they roll out someone who looks like The Gimp from PULP FICTION and try to convince me to somehow use him to fulfill my sexual desires. I run back to my apartment and lock the door.




  • Me, Eleven, and Scatman Carothers are speed-walking for exercise. We run into a kids jungle-gym set and run through it for exercise. Afterwards, we are a bit tired out so we sit down on the corner where some teachers are showing some little kids how to do some sort of science experiments or something. About ten minutes later, Eleven and Scatman jump up and decide it's time to leave. I am sitting wedged in between a ton of little kids, so I'm having a hard time extricating myself from within them. Finally, I wade through the crowd and make it around the corner. Eleven and Scatman are already about two blocks ahead of me, fervently speed-walking. I am pissed that they didn't have the courtesy to wait for me. I start to run to catch up with them, but suddenly I'm barefoot. I get close, but then there's an enormous hill that I'm confronted with. They are still pretty far ahead. Suddenly I am in a car, perhaps a limo or cadillac of sorts. I look down on the ground of the backseat and there's a newspaper with a gangsta rapper's photo on the front. I look out the window and there the rapper is, driving by in a car. He notices me and his face fills up with rage. I suddenly intuit that I am the one who wrote that article about him and he is not pleased. He pulls out a gun and tries to shoot me but I duck and he misses. He guns it away in his car. I make it up the hill in MY car, and when I look out the window at the top, I see that both Scatman and Eleven have been shot. Screaming, I jump out of the moving car and run over. I push people away and hold Eleven's head in my arms. He has been shot in the heart and his eyes are open. He is obviously dead. I keep screaming, No, stay with me! Stay with me! You can't leave me! Stay with me! despite the fact that he's dead. Finally, I hear his voice waft in like an angel and say, I'm here, Lauren, I'm here with you. I wake up feeling AWFUL and terrified.


  • And finally, last night the dreams continued, though not so vividly. I dreamt that I was having razor blade fights with people that I was trying to defend myself against, one of them being Forrest Whitaker.



    I'm pretty much sword-fighting essentially, but with razor blades (those ones with the long handles where the razor-tip flips out like this:)

    My arm gets cut up real bad, real deep. I am nauseated at the thought of the cuts. I end up knocking the blade from his hands but can't bring myself to cut his throat. I try and try but cannot. Then my dream skips ahead into random fragments. It is some holiday and people are letting their lions out onto their rooftops for some reason. I am angry because one man has a ladder out and is forcing his lionness to climb the rickety thing to get up onto the roof. Skip ahead to me bumping into Maura and Lyndsey at some sex shop. I bump into them in line where we all realize that we are buying the same bizarre-ass sex-toy: some weird dildo/vibrator in the shape of a little witch's broom. They are on sale because Halloween is over with.


  • The End.

    Stay tuned for Aunt Flo's Fantastical Dream Stories next month, same time, same place...



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    Disappointments of the Weekend


  • Ruby Tuesday changed their veggie burger!



    To those of you who've had it in the past, this is a very traumatic event. Their veggie burger was my favorite veggie burger, no competition. It tasted startlingly similar to meat, had a for-once shredded texture instead of a grainy vegetabley one, and just melted on the tongue. On Friday I went there for dinner (I had a buy-one get-one-free coupon) expecting to indulge my tastebuds since I hadn't had their burger in such a long time. And what was placed in front of me instead was a soggy, pseudo-Applebee's (or every OTHER meat-oriented restaurant that tries to be "veggie-friendly" by serving a soggy Gardenburger-style piece of crap) patty.

    If you've had their burger in the past, you will understand my pain.

    They have also jumped on the lo-carb bandwagon, but this is not so catastrophic or heart-breaking as their new veggie burger, sadly.


  • I went out to Kent this weekend to shoot pool at some of their bars. I haven't been there since last summer, so I was very excited to hang out there. And I had a really good time--the weather was gorgeous, I shot pool and won often, and I actually managed to get an outside table at one of the bars and was able to enjoy the soft breeze.

    What was disappointing is that you used to be able to sit out on a ledge that overlooked the railroad tracks that run by Franklin Ave. You had to drunkenly maneuver around some stopped train cars (Pufferbelly Restaurant) to get to the edge area, but once you seated yourself and were patient, eventually a train would gun by. And it was fantastic because your legs were hanging over the edge literally inches away from the speeding cars... You could literally dangle your fingertips down and touch the top of the train. It was exhilarating.

    Now, they have the area all fenced off. Which means some drunken asshole probably managed to ruin it for everyone by actually falling INTO a train and getting dismembered or something. Dumbasses.




  • Jimmy Fallon is no longer gonna be on Saturday Night Live. The show is pretty damn lame as it is, so why oh why take off yet ANOTHER good comedian?



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  • An Open Dialogue About Sex


    Adam Harvey and I decided that today, in honor of it being Thursday, we will devote our blog-space to a discussion of sex. That being said, he and I sat down* and hashed it out on the topic of sex--everything from robots to hermaphrodites to Charles Manson. We hope you enjoy. And be sure to check out his blog-space as well to reach further enlightenment.

    A: So being a female, do you find you think about sex more or less often than the males you know?

    L: Why are you asking me this?

    A: Well, because I thought we were having an open dialogue about sex today.

    L: Well, quite frankly, I don't think how often I think about sex CONCERNS you.

    A: Ok... Um... Sorry. Moving on. You ask a question then.

    L: How often do you think about sex?

    A: Hmmm. Fairly often, depending on what you'd characterize as "thinking about sex."

    L: Ok, Bill Clinton. (rolling eyes)

    A: Well, I mean, if by "thinking about sex" you mean actually "thinking about having sex with a specific individual," then not THAT often. If you mean "thinking about anything related to sex, such as kissing, how hot somebody is, etc." than probably every ten minutes or so.

    L: *couLIARgh*

    A: Wha--?

    L: Your turn.

    A: How often do you have sex each week?

    L: Like I'm gonna tell you that.

    A: Well, how often do you have sex a month then?

    L: Lay off, buddy.

    A: What???

    L: I said, lay off. I don't think that's really any of your business, you know?

    A: Alrightee then. Um. What is the girl's private part called?

    L: Ummmm. I know that one! VAGINA!!

    A: You are correct. Now your turn.

    L: This is really gonna be an invigorating dialogue about sex.

    A: Uh, yeah.

    L: Ok. How often do you think about sex?

    A: You already asked that.

    L: Fine. Don't answer then. Are you a virgin?

    A: Uh, no.

    L: *sneSINNEReze*

    A: Sweet Jesus.

    L: Don't be taking the Lord's name in vain. Good Christian folks read my blog.

    A: Sorry. *sigh*

    L: My turn! My turn! Ask me a question.

    A: What's your biggest kink?

    L: Robots.

    A: Uh. Robots?

    L: Yeah. You got a problem with that?

    A: Do you mean just LOOKING at them turns you on? Or do you like having sex with them or what?

    L: When was the last time you got laid?

    A: Wait, I thought we were still on MY question.

    L: Didn't I answer it? (confused)

    A: I believe I had a follow-up... I think.

    L: You haven't gotten laid in a while, have you?

    A: (belligerent) I had sex yesterday, actually.

    L: Yeah, with what? Your hand??

    A: I thought we were gonna have an intelligent dialogue about sex, not PICK ON EACH OTHER.

    L: You're the one who keeps being nosey about my sex life.

    A: Um, that's because that's what we're here to talk about.

    L: Whatever.

    A: Is it my turn to ask you a question?

    L: (mimicking) "Is it my turn to ask you a question?"

    A: God, you're such a jerk.

    L: Eat me.

    A: Not in a million years.

    L: BAHAHAHAHAHAHA! You so funny, virgin.

    A: At least I don't screw robots.

    L: Robots? What are you talking about, virgin?

    A: You said you have a thing for robots two seconds ago!

    L: You're a liar. A goddamned, stinking liar. And a virgin!

    A: (shaking head)

    L: So... What's your favorite sexual position?

    A: How can I have a favorite sexual position if I'm allegedly a virgin??

    L: I knew it! I knew you were a virgin! God, how lame are you?!? HAHAHAHAHAHAHAHA!

    A: (shaking head and getting up to leave)

    L: Virgin!

    A: Robot lover! (storms out)

    Conclusion: And so it goes in the world of love and sex. We hope this public service announcement has been enlightening and that you have come out knowing more than you ever thought you'd know about sex. Now go get to fucking!

    _________
    *This open dialogue in no way represents the views of or actual conversation had with Adam Q. Harvey.



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    The Alphabet Vs. the Goddess


    I brought this book up briefly in Eleven's comment-section yesterday but I figured I'd talk about it a bit more specifically with regard to the main focus of the book (rather than focusing on one of its more minor topics).

    I'm... intrigued by this book. Intrigued is just one adjective I can use to describe it though. I also occasionally find myself annoyed or frustrated or wowed or a billion other worthy adjectives. But regardless, it's an interesting read.



    The basic premise is summed up in the final paragraph of the intro:

    "Goddess worship, feminine values, and women's power depend on the ubiquity of the image. God worship, masculine values, and men's domination of women are bound to the written word. Word and image, like masculine and feminine, are complementary opposites. Whenever a culture elevates the written word at the expense of the image, patriarchy dominates. When the importance of the image supersedes the written word, feminine values and egalitarianism flourish." (7)

    Basically, what Shlain contends is that with the dawning of the alphabet, an appreciation and use of images as a communicative form diminished. And in turn, we moved away from a goddess-worshipping culture to a patriarchal culture that began to worship male, imageless gods. Ultimately Shlain is attempting to prove that "writing subliminally fosters a patriarchal outlook" (1) because writing and understanding the alphabet require a finetuned usage of the left-brain (sequence, analysis, and abstraction). The left-brain and its qualities are culturally associated with the "masculine," and thus, he believes that it was this transition over to a literate culture that fostered patriarchy and male-dominated religion.

    The premise itself is an interesting one, but what I find myself most resistant to in the book is the fact that he seems reliant on dichotomies to prove his point--the chapters are set up in terms of dichotomies (ex. "Birth/Death" is the title of one) and many of the points he makes are reliant upon us accepting and agreeing with the black & white dichotomy of male/female and masculine/feminine. I think this right away undercuts his viewpoint (despite the fact that he keeps trying to reassure us that this dichotomy is one that is established by society and not solely by him) because many people don't believe that such a black & white dichotomy exists in terms of gender, that gender is more fluid and malleable.

    Anyways, I am about halfway through this book right now, and I do recommend it (despite the fact that Shlain gets really annoying at times). It's a fairly quick read with fairly short chapters which is nice because it doesn't allow you to get too bored with a topic--when you're right about to throw the book down, it's time for a new chapter... If you're looking for something to throw on your summer reading list, this is a decent option.

    (Oh, and feel free--as always--to give your own two-cents about this topic in my comments section.)



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    Since I have nothing interesting to talk about today, I was gonna post one of my favorite Goldbarth poems--"The Gulf"--but couldn't find a copy of it on the 'net.

    So I decided to post this picture instead. Enjoy.



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    I've learned a lot of things this week and have become a better person because of it. My life will never be the same.

    The things I've learned:

  • When you break your computer and it won't turn on and has a NRDL error (or some combination of those letters), check your disk drive and make sure there isn't a disk in there. Do NOT, I repeat DO NOT, ask any skilled computer experts what this means, fear that your computer has broken down irreparably once they tell you that many different disks need to be inserted to get it running again, sit around for two hours with no internet to surf while you're allegedly "working." CHECK THE GODDAMN DISK DRIVE AND REMOVE ALL FOREIGN OBJECTS SUCH AS PEANUT BUTTER & JELLY SANDWICHES, PUERTO RICAN FELLAS, OR RANDOM DISKS.


  • When you break the printer/copier at work (especially when you break it by copying pages and pages worth of Albert Goldbarth poems to share with people), it is not a good idea to run and hide and hope that no one finds out it is you. Just shut the printer/copier off FOR AT LEAST TWO MINUTES and then turn it back on. This will erase all evidence that it was poetry that fucked everything up (it's no wonder no one thinks it's valuable!), and it might even fix the printer's problems as well.


  • I like pizza.


  • "Jesus" sounds like "Cheez-its."


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    Tell me a story.




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    Yeah.


  • Wow. What a thunderstorm this morning, eh folks? Rattled shit that I didn't even know I had to rattle in my apartment.


  • That being said, I almost got hit in the head by two robins this morning. No shit. They were tussling in the air and almost careened into my enormous beast of a noggin because they were too busy paying attention to each other. I actually had to duck otherwise I might not be here this morning.


  • My {{CHECK ENGINE}} light finally went off. I know YOU probably could give two shits, but it means I finally won! (Although it took sitting in 45 minutes worth of a traffic-mush of a delay to come out victorious, it was well worth it!)




  • This morning, I had a dream involving Adam and crepes and some sorta road trip and something involving a library and filling out a raffle-entry correctly. And somewhere in there, the hick-chick from this season's REAL WORLD was making a very nice omelet. And Lana was in my car with lots of papers and (I think) a chicken. And I almost forgot to pick Adam and Eleven back up from the library before heading home.


  • A slightly more coherent Monday-morning dream: I can't remember the linear plotline or anything exactly, just random excerpts from the dream, but here goes. It started with me and my father (but my dad was a combination of my dad and someone else like people sometimes are in dreams) and we were looking for an inexpensive hotel to crash at for some reason (I think we were taking a long car drive somewhere and had to stop and sleep). Anyways, we stop at this real seedy looking place and go inside. Inside it's this like open-roomed hotel... You walk up the stairs and you can see into each person's "room" which is basically just an open room with a bed in it. Some of the rooms aren't in use but the covers to the beds are ABSOLUTELY DISGUSTING--like all yellowy and stained. And so I look at my dad and say NO WAY IN HELL AM I STAYING HERE. It's almost more of a hospital/mental institution than a hotel because there's people despondent and curled up in beds that are just SOOO filthy and muttering stuff to themselves and stuff... I'm incredibly disturbed by all this.

    Enter Mark Ruffalo:



    Somehow (and this is where the linearity ends, mostly I think because I can't remember some of the dream) Mark Ruffalo is at this hotel, for some reason when I come back... He's sitting on a bed looking damn fine... This also gets kind of vague (unfortunately) other than the real warm and fuzzy and romantic feeling i'm left with when I wake up. Things I remember: not being quite so disturbed to stay there anymore. Being wrassled off the bed and onto the ground playfully by Mark Ruffalo (don't I wish). Curling up into bed with him despite the fact that I'm thoroughly grossed-out because his covers are nasty and filthy too. We are actually two actors in a movie doing some of these activities I think, but we have a warm fuzzy romantic fondness for each other even OUTSIDE of the movie we're filming. For some reason I remember finding a stone-cold foxy picture of him on the internet during the dream too. And I just remember he was real cute and sweet like his characters always seem to be in the movies...

    Move over Danny Masterson.


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    A Seam


    On the freeway today:
    a hamburger-red mess of road kill
    splintered and feathered
    mid-lane. And on the shoulder,
    one goose, head cocked
    in a graceful arc,
    upright and unblinking like a stiff
    lawn ornament of cement and splinter.
    On the edge of death
    yet so violently alive
    here, abutting sizzling steam of traffic
    and exhaust, serene, legs
    curled so carefully beneath it.

    My heart hurts for a moment,
    burst at the seams,
    the sight slamming into me
    even more fiercely than the gut-wrenching,
    glass-shattering force of the twisted
    metal carcasses of some car wreck
    curled still in the median.

    This fragile sculpture
    of feather and bone
    is craft unraveling,
    shock uncurling
    towards some heaven.
    No jaw of life to undo
    the way this animal's locked
    itself up tight in grief, in apprehension,
    staving itself for something.

    * *

    Years ago, one carefree, snow-globe
    moment of unexpected happiness
    that I recall even now to buoy me
    through hard days,
    like imagining another being's
    heaven, a seam, a twist-tie
    sectioning off this life from next:
    the sky stretched out
    like the legs of the newly-born,
    wobbling into life,
    the sun scouring the windshield
    with light, elbow crooked against wind,
    the music on the radio
    pretending for a moment
    to match the beat of seven geese
    caught in the bow-pull
    of a vee, spearing their way
    through sky, alive,
    my foot on the pedal,
    eyes following them for miles.

    ------
    (c) L.S. (5/3/2004)
    [Steal this and die]

    Labels:



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    10 MOVIES WORTH OWNING


    LAUREN'S LIST

    Donnie Darko

  • LS: Donnie Darko is my favorite alienated-youth-with-a-freaky-assed-bunny-rabbit-friend kinda movie that romps with ideas of time and space, mental illness, and teen angst in a startlingly bizarre story-line. A


  • AH: An apt statement on the naturally surreal [yes I am aware of the oxymoron] state of being that is the lot of most teenagers. B+


  • Memento

  • LS: ...a new and interesting kind of way. through non-linearity... that plays with the idea of time and memory... filled with quality acting (and quality tattooing)... An innovative little movie... A


  • AH: The people complaining that this would just be an above average thriller if the continuity hadn't been all bass-ackwards are right, but Memento is obviously smarter than those people. A-


  • Raising Arizona

  • LS: Nicolas Cage proves that he can be a damn funny guy and doesn't always have to play the bad-ass good-guy with (now-)capped teeth; I first saw this movie when I was home sick in middle-school, and it still makes me laugh my ass off even to this day with its quick-paced, silly sense of quirky Coen-Bros.-esque humor--still one of my favorite Coen Bros. movies. A


  • AH: This early effort by the Coens offers a good look at their particular brand of surrealism but lacks the refinement of their later films and has possibly the worst editing I have ever seen. B-


  • Kill Bill (vol. 1 & 2)

  • LS: Gloriously indulgent of his love of '70's movies (a love I share and thus appreciate), Kill Bill rocks with a kick-ass Uma Thurman wailing on all types of crazy-ass villains like the Crazy 88 all to a killer soundtrack. A


  • AH: A burned-out fanboy's gratuitous pastiche of unoriginal tripe; mindlessly and shallowly entertaining. B


  • The Shining

  • LS: I STILL always expect a wave of blood to come pouring out of empty slowly-opening elevator doors; one of my favorite horror movies, and one of my favorite Kubrick films, a definite must-see, preferably during the month of Halloween. A


  • AH: This movie became the archetypal horror flik with its unorthodox camera work, blunt depiction of insanity and the genius of Jack Nicholson. A+


  • Dead Man

  • LS: Chockful of Jarmusch's biting black humor, a great Neil Young score, some high-quality acting, and a bizarre (and yet lovely) old west storyline about a man named William Blake (Johnny Depp) who is being hunted for a murder that he did not commit and who crashes head on with Nobody and a weird spiritual enlightenment along the way. A


  • AH: A wry post-modern film that frames the deconstruction of American values and Hollywood through the most american of genres: the western. A


  • Ghost World

  • LS: This movie touches on the weirdly humorous eccentricities of not quite fitting in (but loving and cherishing that fact) during your suburban high school years, and its humor warms my very heart, especially the guy with the mullet. A


  • AH: When an overly ambitious film based in apathy and alienation rails against the nature of humanity through a retro-chic comparison of early and mid-twentieth century values to fin de siecle decadence, you get the slightly boring feeling that we are living in a Ghost World. B


  • Gerry

  • LS: This quiet little slow-paced but powerful film (definitely not for the action-movie fan) about being lost in the desert will leave you walking away with a horrified feeling of moral ambiguity that will haunt you for days (unless you're Adam Harvey, in which case you just won't understand the ending ; )... A


  • AH: This experiment in minimalist filmmaking uses a modicum of sharp dialogue and a more generous helping of ambient sound to form a well thought-out and well executed dissection of human relationship and behavior in high stress situations. B+


  • Clerks

  • LS: Weirdly, my mom introduced me to this vulgar, obscene, side-splitting little gem--when you're looking for the lowest of the low to make you laugh, bust this baby out and enjoy. A


  • AH: I have unconditional love for this movie despite my better taste. A


  • Amelie

  • LS: So damn cute but deviant that it'll make your gums bleed green, have you pondering how many people are having an orgasm at the exact moment you're reading this, and make you realize that cute and sweet love stories CAN in fact be made if put in the right (non-Hollywood) hands. A


  • AH: The best romantic comedy I have ever seen; the outstanding cinematography and camerawork and quirky plot in this film manages to be heartbreaking but not melodramatic and French but not pompous, quite an achievement. A



  • ADAM'S LIST

    Last of the Mohicans

  • AH: A beautiful period film with great performances that gives a decent outline-by-example of the Romantic revolt against Neoclassicism. B+


  • LS: I love love love Daniel Day-Lewis and think he's one of the best actors around, and yet I implore you, Daniel, WHAT WERE YOU THINKING when you made this movie that forced you to run around scantily-clad and with long Fabio-hair like some prequel to Mel Gibson's Braveheart, wasting my time with a lengthy boring storyline and making me fall asleep? D


  • Rocky Horror Picture Show

  • AH: A hedonistic yet informed collage of popular and counter culture that offers not so subtle social commentary in a way that Quentin Tarantino could learn a few tricks from. A+


  • LS: What bad things could you possibly say about a movie that revolves around transvestites from outer space, has Tim Curry playing a trannie that could make the straightest of the straight drool all over themselves, has some kick-ass song sequences, and allows you to throw bread and shout disruptively at the screen??? A


  • Army of Darkness

  • AH: The ultimate horror comedy which is so saucy and mischevious that only people with sticks up their bums can't enjoy it. C-


  • LS: This is one of the campiest of the campy alleged horror films around, complete with horribly-filmed scenes of battling skeletons, the always butt-chinned and gratuitously overboard acting of Bruce Campbell, and a retarded plot-line all of which will make you laugh your ass off (especially if you've seen the other two films in this trilogy), now "gimme some sugar, baby." C


  • Rashomon

  • AH: The magnetic Toshiro Mifune mugs his way through this jewel of cinematic form and sublte analysis on the meaning of truth. A


  • LS: Toshiro Mifune rocks and he rocks particularly hard in this Kurosawa film despite the fact that I've discovered I have to be in a certain mood to sit through one of Kurosawa's films because a) they require that I read subtitles and b) they are their own little breed of movies. B+


  • Terminator 2: Judgment Day

  • AH: Neo-noir in the guise of gratuitous sci-fi action where the castrating female is played by a liquid android and the fallen but redeemable male lead is an Austrian cyborg that carts around a couple of humans as hood ornaments. A-


  • LS: I like the melty, mercurious fellow and how he runs because it makes me giggle, and I used to think Edward Furlong was a hottie when I was pubescent, but it's Linda Hamilton and her bad-ass, buff, feminist, ass-kicking self that really rocks my world in this otherwise ok movie. B-


  • Adaptation

  • AH: A film about writing a screenplay about a film about writing a screenplay; even if I got that backwards this is still a great movie just because it becomes what it hates as a statement of why it hates what it becomes and Judy Greer is briefly topless. A


  • LS: Adaptation is a whirlwind of bizarreness and cleverness and is wicked-smart in what it has to say about the art of movie adaptations and the art of writing and the art of loving and the art of existing, and I literally could watch it over and over because it just warms the cockles of my brain to their very core (psst. Chris Cooper TOTALLY deserved the Best Supporting Actor Oscar for this movie because he is fantastic in it). A


  • Moulin Rouge

  • AH: Baz Luhrman's rebirth of the musical, albeit in a postmodern 'our actors can't really sing, our songs aren't even close to being original, but we have catchy music, bright colors and nicole kidman,' way; it just needs naked cartwheels. B


  • LS: This movie was fun and colorful and enjoyable to watch, but it has the buoyancy of too many musicals, a buoyancy that is easily-popped once one deflates the music and the prettiness from it to find a sad and withered and overly-used plotline. B-


  • Schindler's List

  • AH: This movie should be owned because even though it is beautiful to watch, the fact that Spielberg sells his heritage into an effeminate nameless mass that glorifies a Nazi capitalist makes it into one of the worst movies of all time; it should serve as a warning to others on how Hollywood is so unscrupulous that it can remove the sacredness of anything to make a buck [see also, The Passion of the Christ]. D


  • LS: I hate rating movies about the Holocaust because it becomes a matter of rating how well a movie is able to one-up all previous Holocaust movies with their images of suffering; that being said, Schindler's List is a crisp, nicely-filmed black and white movie that delves into the Holocaust and its atrocities without every really exploring anything complicated or saying anything new or interesting about this event. B


  • Do the Right Thing

  • AH: Black empowerment is a good thing and Spike Lee makes it clear that all sides on the race issue have to keep their tempers under control, but he still doesn't tell us how to go about and Fite da Powa. B


  • LS: Unfortunately, this movie suffers a bit nowadays because it's kinda got that '80's ring to it, but it still holds out as a stand-up ball-busting movie exploring racial tension in an honest and (at the time) new way. B+


  • Y Tu Mama Tambien

  • AH: Coming Of Age Teen Romp: Meet Hot Older Chick, Bang Her Like Mooks, Bang Each Other, Learn About Life, Drift Apart. B+


  • LS: I liked this movie and will admit to having been caught up in the characters throughout, but I still don't understand why there's so much hype surrounding it because it's not got really anything THAT new or revolutionary or, really, that interesting to say about the experience of being a pubescent boy. B




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